Those of you who are regular readers may have noticed that my use of language fluctuates from post to post. Sometimes I am crude and direct, other times I am flowery and expressive. Some of this is organic – I am actively trying to improve my writing and I think that repeated daily practice is accomplishing that. Other times it is intentional – trying to match the tone of my words to the topic at hand to elicit emotional impact. Sometimes, I will confess, it is simple laziness on my part.
I love words. I can’t really draw or paint, and while I am a musician my creativity in that department is not exactly exceptional. Where I think my real strength lies in in my use of language. Words on a page, properly arranged, can change the world. While my own personal aspirations are somewhat more modest than global metamorphosis, I do put more than a little bit of conscious effort into these sentences you read here.
Sometimes I run into someone who can knock me on my ass with their use of language. Jamie Kilstein is one such person:
Audio is definitely NSFW, but you shouldn’t watch Youtube videos at work anyway.
Yes, I recognize it’s crude, but I challenge you to find fault in the phrase “fist you into a meth coma”.
I’ve run into these kinds of arguments against gay marriage and gay parenting before. They are, quite frankly, ridiculous. There are heterosexual parents who do a far worse job of raising kids than a gay couple could ever hope to. There are single parents who do do an outstanding job without another person around (I’d offer my own upbringing as evidence of that possibility). Suggesting that a mix-gendered environment is a necessary component of a healthy childhood is easily put to the lie by even the most casual of scrutiny. Suggesting further that every gay couple will do a worse job than every straight couple is an even greater height of absurdity.
Jamie Kilstein does a great job of skewering these arguments with a fast-paced, profanity-strewn and impeccably-delivered 3 minute monologue. Of course, being in front of a sympathetic audience certainly helps the delivery, but even without the accompanying laughter it’s quite something to see.
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